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What a whirlwind this past 2 weeks have been! I conducted my first ever, focus groups in West Hartford CT and Kingfield, ME.  I have been preparing for months now, getting the work to an acceptable ‘finished’ level, selecting the pieces I would use, deciding what the collections would look like, numbering and photographing all the work.  A huge thank you to the entire Mitman family who were so supportive, in particular Christi my wife and Ruth my mother. What were the participants asked to do?  After a short meet and greet I began a 10 minute PowerPoint presentation.  At...

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Holy crap, it’s getting real! For the past 2 years I have been working on ring collections in near isolation. Working away in the woods, fabricating, experimenting, failing, elaborating and growing.  Over 500 designs. Unidentified burger ring  .925 The time has come to put myself ‘out there’ and actively solicit feedback on this body of work.  In order to grow and move forward, to achieve the goals I have for myself, this step is absolutely necessary.  It is however also a bit TERRIFYING! Asking for feedback from people who know and purchase jewelry, people who have strong opinions has the...

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The vacuum casting setup I have been using has some increasingly frustrating disadvantages.  I was only able to cast about 40 rings in a session  the casting quality was not very good, at best about 75% success rate  Lack of control over many of the most essential casting variables  (accurate temperatures and casting atmosphere) Pouring molten silver into a flask like this allows oxygen and temperature variables to cause a number of problems with the finished castings. So I went looking for an upgrade solution.I found it in the Neutec J2R casting machine. This is an amazing piece of technology,...

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Yes, I know, I am an artist and I should be able to design my own studio logo! Well.... when it comes to graphic design,  I struggle.  I drew many versions of the Maine Sugarworks (our soon-to-be-closed maple syrup company) logo but could never quite complete the project.  I design in wax and metal all the time but somehow a logo is different (in my mind anyway). So I went looking for a way to get help. I quickly found 99Design.  It is a service that connects designers and clients in a 'contest' format.  You decide what you are looking for...

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note: I plan to create more detailed posts of the specific fabrication techniques I use in working with the lost wax technique for those who are interested.  This is an overview of the lost wax process that I am currently using.  This process has and will continue to evolve, however the fundamentals of: model making-investment-burnout-cast-finish, remain the same.  Working with wax to work with metal?  I cast my first silver ring as an art major at Michigan State University in 1986.  I have been hooked on the process ever since.The 'lost wax' technique of casting involves: Coming up with a good idea...

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